W.J.T. Mitchell.
What Do Pictures Want? The Lives and Loves of Images.
Part 3. Media.

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THE LIMN

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HISTORIES

M O S T L O V E D

H&dM

In practice, a focus on experience is usually code for irregularity, pure and simple. This was a major discovery of the picturesque: bu...
OBLIQUE

Claude Parent and Paul Virilio in the ‘The Function of the Oblique’ used oblique planes to create architecture of disequilibrium in an att...
DEAR NEW ZEALAND

How about a love architecture festival all of our own? The festival, which finished a week ago in Britain, was run by the royal Co...
L'AMANT - THINKING ABOUT DURAS

"Writing comes like the wind. It’s naked, it’s made of ink, it’s the thing written, and it passes like nothing else passes in lif...
THIS BODY IS

Figura X 1996/05 - Vladimir Zidlicky In the skin itself, wrote William James , there is a vague form of projection into a third dimensio...
OVERLAYS OF HOMES

Home is the place from which the world can be founded. And so it is that the rearranged familiar is the most unfamiliar of all. When you...
MEMORY TRAPS

Paris, l'Opera. 2010. It doesn’t take much. A deserted street at dusk, with the summer sunlight lingering on the upper floors of a ...
WAVES

For Wolfgang Bloch , waves - literal breakers and the crashing washes of colour - are everywhere. A stunning, almost McCahon-esque abstract...
LEE BONTECOU
MINI-CITY

Having seen these tilt-shift photos by Ed McGowan a week or so ago, I was inspired to try my hand at tilt-shifting Wellington. Though I di...

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spaces we dream of, spaces we wander through, spaces we make...

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WANDERINGS...

Arts & Letters Daily
Badlands
Elastic Novice
I Capture the Castle
John Hopkin's Guide to Literary Theory and Criticism
Politics Theory Photography
Tomorrow's thoughts today
afterall
black sun
city of sound
desordre
dictionary of the history of ideas
diffusive architectures
elizabeth weinberg
funambulist
history of our world
hutt poetry
passages
side effects
slow muse
spamula
the diagram
the page

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