Julia Kristeva, section of Approaching Abjection.

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UNTITLED (WHITEREAD)

Untitled, 2005. From Whiteread's 'Postcard' series. In this 'Postcard' series, Whiteread uses a hole p...
I NEED THE SEA

I need the sea because it teaches me. – Pablo Neruda Spending this rainy afternoon preparing for the coming summer by reflect...
CULTURE CLASS

1. Henri Lefebvre 2. Manfredo Tafuri 3. Sharon Zukin 4. Paul Fussell 5. C. Wright Mills + The Sociological Imagination 6. George Yu...
DEAR NEW ZEALAND

How about a love architecture festival all of our own? The festival, which finished a week ago in Britain, was run by the royal Co...
MEMORY TRAPS

Paris, l'Opera. 2010. It doesn’t take much. A deserted street at dusk, with the summer sunlight lingering on the upper floors of a ...
THE APARTMENT

There is something elusive about spaces which are curated and lived at the same time. We are forever trying to create them, whil...
ON HOUSE / HOME

It is raining profusely outside. Inside, sheltered, your skin does not feel the wetness of the sky. To see the rain, you can look through ...
CELLO IN THE CHARRED CHAPEL

Sometimes you come across someone doing something that makes you sigh. German-Korean musician Isang Enders ' rendition of Ba...
GEOGRAPHY OF WAR

Le Quesnoy. In 2004, I went on a school trip to France, which included a visit to the incredible fortified town of Le Quesno...
prosthetic impulses

"culture can be understood as an extension, a protraction, and a projection of the interior of the body itself." - elizabeth gros...

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