PRACTICES

http://www.ubu.com/papers/de_certeau.html
http://www.ubu.com/papers/duchamp_creative.html

Labels: de certeau , duchamp

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Figura X 1996/05 - Vladimir Zidlicky In the skin itself, wrote William James , there is a vague form of projection into a third dimensio...
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Claude Parent and Paul Virilio in the ‘The Function of the Oblique’ used oblique planes to create architecture of disequilibrium in an att...
H&dM

In practice, a focus on experience is usually code for irregularity, pure and simple. This was a major discovery of the picturesque: bu...
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DAVID HERD Kevin Townsend ‘The question is how does one hold an apple Who likes apples’ —George Oppen, ‘The Gesture’ ‘The...
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A staircase-reception desk that I rather enjoy, swiped from arch daily's article on LTL Architects ' Arthouse at the Jones Center t...
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Richard Serra, Splashing In Splashing by Richard Serra (1968), the process of creation is embodied in the work: hardened lead thr...
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A middle-aged woman, quite plain, to be polite about it, and somewhat stout, to be more courteous still, but when she and the rather good-...
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containment ground, architecture, [di]still, air Andrew Morris

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