Having spent some time with Serre's Angels, this image of global facebook friendships appears incredibly serresian. This particular (and rather large) social network is made up of exchanges and communications which happen at the speed of light across vast distances - work which indeed, is the work of angels. To read more interesting discussion on Serres' work, visit www.michelserres.blogspot.com
Blur Building. Blossom House. The Gherkin. Names greet, introduce, define and differentiate architectural works. This literature review locates a discussion on the connection between building name and building meaning in relation to established knowledge. In this paper, name refers to the title given to a building by the architect or a title which becomes common to social discourse, and which does not refer solely to the ownership of the building. To ensure that the name remains embedded in its larger context of signification I conceptualise a relationship between myth (narratives that supply frameworks of meaning) and symbol (visual abbreviations of those narratives) in conjunction with which name can be defined as a visual metaphor in which meaning can reside. Literature is sourced from linguistics, semiology and architectural theory. The paper identifies and critically reviews relevant literature surrounding major architectural concepts of language, representation, sign, and metaphor in order to determine a position for future comment on the act of naming buildings, and to suggest a framework for theorising the name.
on the language-architecture foundation
The theoretic development of the built environment has often considered architecture as language. (Summerson 7) Engagement with this paradigm from the divergent post-critical paradigm we are currently situated in requires a tentative return to a moment in history when architecture still had philosophical ambitions and held language up to itself as a mirror. Fundamentally, the language-architecture association examines how architecture meets and knows itself. The literary gaze of architecture traces two pathways. The first aims to understand language’s laws of operation as a scientific system and guide architectural production. It is exemplified by Derrida’s Grammatology. (Derrida, On Grammatology 27) The second explores the premise that all social practice can be understood as meanings, significations, and systems of exchange between objects and is manifest in architectural evaluation. (Coward and Ellis 1)
In her essay, Drawing Out Displacement, published in the Review and Record of Arab Culture and Arts (Vol.10, 2004) Catherine Hamel asks her own personal displacement from Beirut to expose itself and to engage her in the act of drawing.
In parallel to the production of this essay, Hamel was producing images as forerunners to and predecessors of her words. Hamel writes:
"The drawings are tied by their technique which experiments with the reduction and erasure of accurately drawn lines. They are reflective pieces used as generators of text, as a way of thinking that allows the line of drawing to search before thought is restricted by words."
The drawings include:
Mythologiesillustrates a selection of tales of ancient Gods and Heroes.
Dürer Revisitedisolates delicate details of Albrecht Dürer engraving “Knight, Death and Devil” and uses them as points of departure to reinterpret their larger context.
Captive studies of human fragility in the face of freedom
Christine Sowiak, curator of the Nickle Arts Museum writes that Hamel's Drawings 'move away from the precision of words to the insight of the language of drawing - to an expansive perspective that enters the conceptual realm of metaphor.'
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