SERENADE #7

decca records via butitdoesfloat.com

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THE LIMN

S O P H I E H A M E R

Architectural Graduate

New Zealand

E L S E W H E R E

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HISTORIES

M O S T L O V E D

THIS BODY IS

Figura X 1996/05 - Vladimir Zidlicky In the skin itself, wrote William James , there is a vague form of projection into a third dimensio...
OBLIQUE

Claude Parent and Paul Virilio in the ‘The Function of the Oblique’ used oblique planes to create architecture of disequilibrium in an att...
H&dM

In practice, a focus on experience is usually code for irregularity, pure and simple. This was a major discovery of the picturesque: bu...
OUTWITH

DAVID HERD Kevin Townsend ‘The question is how does one hold an apple Who likes apples’ —George Oppen, ‘The Gesture’ ‘The...
LTL

A staircase-reception desk that I rather enjoy, swiped from arch daily's article on LTL Architects ' Arthouse at the Jones Center t...
SKETCH LIFE

History of Masculinity, Marc Bauer .
SPLASHING

Richard Serra, Splashing In Splashing by Richard Serra (1968), the process of creation is embodied in the work: hardened lead thr...
THE DANCE

A middle-aged woman, quite plain, to be polite about it, and somewhat stout, to be more courteous still, but when she and the rather good-...
THE REST IS CRITICISM

http://www.cprw.com/the-rest-is-criticism/
LE PANIER

containment ground, architecture, [di]still, air Andrew Morris

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spaces we dream of, spaces we wander through, spaces we make...

IF YOU'RE THINKING ABOUT...

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WANDERINGS...

Arts & Letters Daily
Badlands
Elastic Novice
I Capture the Castle
John Hopkin's Guide to Literary Theory and Criticism
Politics Theory Photography
Tomorrow's thoughts today
afterall
black sun
city of sound
desordre
dictionary of the history of ideas
diffusive architectures
elizabeth weinberg
funambulist
history of our world
hutt poetry
passages
side effects
slow muse
spamula
the diagram
the page

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