TRUST / TRUSSED

Kurimanzutto Gallery / TAX (Alberto Kalach)

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THE LIMN

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Architectural Graduate

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HISTORIES

M O S T L O V E D

THIS BODY IS

Figura X 1996/05 - Vladimir Zidlicky In the skin itself, wrote William James , there is a vague form of projection into a third dimensio...
I NEED THE SEA

I need the sea because it teaches me. – Pablo Neruda Spending this rainy afternoon preparing for the coming summer by reflect...
GEOGRAPHY OF WAR

Le Quesnoy. In 2004, I went on a school trip to France, which included a visit to the incredible fortified town of Le Quesno...
OUTWITH

DAVID HERD Kevin Townsend ‘The question is how does one hold an apple Who likes apples’ —George Oppen, ‘The Gesture’ ‘The...
POTENTIAL FUTURES

Lecture: Potential Futures for Design Practice from Rory Hyde on Vimeo I can't say that the University of Sydney has cropped up in ...
BUILDING ROOMS, BUILDING QUALITIES

Allegra Lockstad t's Building rooms, Building qualities was generated while she was trying to re-acclimatise and re-adjust to American...
MUF MANUAL

muf_the lived
OBLIQUE

Claude Parent and Paul Virilio in the ‘The Function of the Oblique’ used oblique planes to create architecture of disequilibrium in an att...
SOCIAL LIFE OF SMALL URBAN SPACES

A fragment of William Whyte's original film. You'd have thought we'd have made some progress by now...
ON HOUSE / HOME

It is raining profusely outside. Inside, sheltered, your skin does not feel the wetness of the sky. To see the rain, you can look through ...

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spaces we dream of, spaces we wander through, spaces we make...

IF YOU'RE THINKING ABOUT...

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WANDERINGS...

Arts & Letters Daily
Badlands
Elastic Novice
I Capture the Castle
John Hopkin's Guide to Literary Theory and Criticism
Politics Theory Photography
Tomorrow's thoughts today
afterall
black sun
city of sound
desordre
dictionary of the history of ideas
diffusive architectures
elizabeth weinberg
funambulist
history of our world
hutt poetry
passages
side effects
slow muse
spamula
the diagram
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